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One of the more infamous moments was an episode where Lena Dunham’s character Hannah hooks up with an attractive, older doctor played by Patrick Wilson for a weekend-long sex-spree. The Internet lost its collective shit over the idea that someone who looked like Lena Dunham could stand a chance of getting within such a thing is tantamount to sacrilege.
Of course, everyone on the Internet took this in without even blinking, accepting that people are complex and varied in their desires and understanding that attraction is a complicated beast. To judge by the collective outrage over the episode, you would’ve thought that Dunham had murdered Ned Stark while dressed as Hitler and simultaneously shooting kittens out of a cannon that was also on fire.
It’s a self-reinforcing story; we don’t accept the idea that someone who looks like Lena Dunham could score with a guy who looks like Patrick Wilson because we never see it in the media.
We never see it in the media because nobody accepts the idea that it could happen and so like an oroborous with an eating disorder, the cycle perpetuates itself.
Amazingly enough in the real world, models variable and influenced by a ginormous number of factors including personal preferences, cultural upbringing, social class, even ecology.
From a distance, it presents itself like so many other small towns all over the world. Over the summer, Jason Blossom dies and leaves his sister Cheryl (Madelaine Petsch) grieving.
Set in modern times, the show is a subversive take on Archie (K. Apa), Jughead (Cole Sprouse), Betty (Lili Reinhart), Veronica (Camila Mendes), and their friends and families living in the titular small town, which has more darkness and weirdness hidden within it than suggested by the town's wholesome façade.
And the day after Halloween had THE NERVE to go around the neighborhood, knocking on each door begging "What have you got left?